New PDF release: Aspects of the Secular Cantata in Late Baroque Italy

By Michael Talbot

As proven by means of the ever-increasing quantity of recordings, versions and performances of the mammoth repertory of secular cantatas for solo voice produced, basically in Italy, within the moment 1/2 the 17th century and the 1st half the eighteenth century, this lengthy overlooked style has eventually 'come of age'. despite the fact that, scholarly curiosity is at the moment lagging at the back of musical perform: exceptionally, there was no normal research of the Baroque cantata due to the fact Eugen Schmitz's instruction manual of 1914, and even supposing many educational theses have tested microscopically the cantatas of person composers, there was little chance to view those opposed to the wider canvas of the style as an entire. The individuals during this quantity decide on facets of the cantata suitable to their certain pursuits on the way to say new issues in regards to the works, even if old, analytical, bibliographical, discographical or performance-based. The best concentration is on Italian-born composers operating among 1650 and 1750 (thus now not Handel), however the chance can also be taken in a single bankruptcy (by Graham Sadler) to check the French cantata culture with its Italian mum or dad in organization with a startling new declare concerning the meant instrumentation. Many key figures are thought of, between them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too frequently taken care of as being of little intrinsic curiosity, are given their due weight. house is additionally discovered for discussions of the heritage of Baroque solo cantatas on disc and of the conclusion of the continuo in cantata arias - an issue extra complicated and contentious than may possibly at the start be obvious. The publication goals to stimulate curiosity in, and to win converts to, this style, which in its day equalled the instrumental sonata in value, and within which various composers invested an incredible a part of their creativity.

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Aspects of the Secular Cantata in Late Baroque Italy by Michael Talbot


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